(Note: In order to see the romanized lyrics and English translation, make sure to turn on the Annotations, in the lower right corner of the YouTube player.)
A couple of months ago, we showed you Miku’s melancholy rock ballad. This time, it’s Vocaloid newcomer Megurine Luka’s turn to make you grab the tissue box and yet at the same time, tapping your feet as you listen to the rhythm of this awesome song.
This fan-made music video is called “Just Be Friends” composed and produced by Dixie Flatline and Yeheyuan Studio. (The song is also a bit old; it has been floating in the Internets for a month now, but I stumbled upon it just recently.) This dance song is the story of a loving couple. It follows their relationship from the good times, to the emotional drift and eventual falling out. The melody and rhythm is incredibly catchy, but the lyrics is very depressing. Even though you can dance to this song, you can’t help but feel the loneliness in Luka’s synthetic voice. Despite Luka’s robotic sounding voice, Dixie Flatline does an incredible job of programming her intonation and diction which made her sound honest and sincere in this sad song.
In any case, the song is awesome and you should buy it when Dixie Flatline releases it on iTunes. In the meantime, you can buy Dixie Flatline’s first album “Fragments” featuring Miku, Rin and Len on iTunes right now.
For more “Just Be Friends” goodness, check out the fan-made versions below.
I’m revisiting the second Old School show back in 2004 which was the first hour long program before we broke for JTAF2. Both Jesse and I were working as senior staff for that convention, so we decided we needed to concentrate on our duties and put the anime-watching on hold for a few weeks. Since we were covering Macross, we had none other than Mr. Macross himself, Egan Loo, as our guest on the show.
In the year 1999, an alien spacecraft crash lands on an island in the Pacific known as Alita Island. Over the course of a decade, mankind realizes that he is no longer alone in the universe and is in fact the recipient of advanced technology. They renovate the crashed ship and turn it into the first Super Dimension Fortress and name it Macross. Just as they launch the darned thing, the super-sized aliens return to recover it. Enter the Zentraedi. Somewhere in there, there’s a love triangle between the series’ three protagonists, pilot Hikaru Ichijou, Lieutenant Misa Hayase, and singer Lynn Minmay.
Macross holds a special place in my heart. I’ll admit that my first exposure to the animation was none other than Robotech, as back in 1985 I was all of nine years old and one could not possibly expect a nine year old to have the sense to know the difference between Japanese animation and the Super Friends. But I was intrigued by Robotech mostly because it dealt with issues that were pretty unknown in the realm of mindless American animation and that much was impressed upon me. I mean, a cartoon that had kissing and death? Sign me up! By the time I reached high school, my best friend and his brothers were all Robotech nuts, and informed me that my favorite part of the saga, the Macross Saga, was a Japanese series unto itself that lasted thirty-six episodes. One weekend, I stayed over at his place and all of them let me watch all thirty-six episodes in order and with very little in the way of a break. For the record, I stayed up for nearly seventeen hours straight until the crack of dawn, and their father walked into the living room and peered at me oddly. “You’re still awake?” Like a ghost, I pointed weakly at the screen and mumbled, “Macross…”
I’m sure that amused him to no end.
With the original series being what it is, the legendary sequel Macross II had nothing charming about it. In fact, the only good thing that it had was the music. With songs sung by the amazing Kasahara Hiroko, it was hard keeping me from bolting to the computer to find the CD upon which Mou Ichidou Love You was located, because that song was awesome. It was not as awesome as Mari Ijima’s Oboite Imasu Ka or Tenshi no Enogu, but it was good. While the story was a pale comparison to the original and the fact that they literally destroy the massively-huge main character of the series with a single scene, Macross II failed to live up to the hype and in fact, only paved the way for Macross Plus to truly reintroduce us to the idea and concept behind the whole Macross story.
Macross Plus arrived on the scene in 1995, I eagerly embraced this as the true sequel to the series. Not only did it turn itself on its side to retell the classic story of a love triangle involving pilot(s), but it invoked the memory of how amazing the storytelling was for the original by raising the bar a little higher in Plus. Advances in animation and an equally outstanding soundtrack made the presentation stand out from its contemporaries and easily found a place on my ‘must-buy-now’ list of anime. I must have watched the first two episodes of Macross Plus many times over within the first week of having them in my collection. I could not get enough of Isamu Dyson and Guld Bowman and their competative antics while trying to advance their respective projects. Plus, seeing the Macross universe evolved some time after the early part of the twenty-first century was interesting as we got to see the UN Spacy in the 2040s with all the advances of their modern technology.
I must admit that I never watched Macross 7 or seen more than two episodes of Macross Zero. I am not lazy, I just have this huge list of anime to watch and Jesse’s cracking the whip.
In summary, Macross awesome. It is a required part of any anime fan’s collection.
Here’s an awesome Japanese fan-made music video from virtual songstress, Hatsune Miku. This music video is actually based on a composition made in 2008 by 203 Soundworks. The song is called “Shining Ray” (or “shiningray” as 203 Soundworks prefer); even though it’s a simple rock ballad, the song resonates with a lot of Nico Nico Douga users. The song feels like an Aerosmith ballad, it has an emotional guitar solo, a heart-pounding marching beat of the drums and a voice that’s very soulful that you almost forget that it’s computer generated.
This music video you see here is created by the MikuMikuDance community at Nico Nico Douga, Japan’s version of YouTube. The video took about half a year to complete and was released this past February. Even though the graphics look like it was made with the Unreal 1 engine, the composition and direction of the video is wonderfully crafted, you have to be a cold-hearted bastard not to play this video on repeat.
So with the last few weeks cluttered with releases like Street Fighter IV, Star Ocean: The Last Hope, Halo Wars, and Killzone 2, who knew that the one game I would end up buying would be this one.
When I first heard about Fiddy’s 2nd foray into the gaming world I wondered why anyone was even covering it in the first place. I didn’t pay it much attention until I started hearing about it from some reputable gaming websites. Which if it was an isolated incident I wouldn’t think twice. But when you start hearing favorable reviews from here and here and over here and don’t forget here too, it becomes hard to ignore this the cult status the game has already undertaken.
As I write this my copy of 50 Cent: Blood on the Sand is currently being processed by Amazon.com, so look forward in the near future to my take on the game and see for yourself whether or not the game is worth it for teh lulz that everyone claims it will bring. Maybe if there’s enough demand the Unwound Show can do a live blog of a co-op run through.